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Lele Huang

Portrait of Lele   Huang

Huang Lele (14 July 1988, Nanjing, China) is a visual artist and curator, and apost-doctoral researcher in Buddhist Art with Peking University, China.

She has particularly studied The Gender Transformation of Avalokitesvara in Sui Tang, A Parallel Study Between India and China (Univision Books, New Delhi, 2023).

As an artist and curator, she has collaborated with fellow creators such Raqs Media Collective, PFunkPFama, Shin Dowon, Sarojini, Huang Du, Horanggasimanu Creation Studio, etc…

Publications

  • From India to China: The Gender Transformation of Avalokiteśvara, New Delhi: Univision Books, 2021, ISBN 978−81−94−9999−0−4.
  • The Gender Transformation of Avalokiteśvara: A Parallel Study between India and China, New Delhi: Univision Books, ISBN 978−81−94−9999−3−5.
  • “Xu Beihong in India, collected in 20th Century Indian Art”, Skira Editore, 1, 22nd Sep., 2014.
  • “When Does Curatorial Work End?: Pre-Cambrian Caves inside a Gallery!” [with Lalthlanchhuaha and Sarojini Lewis], Friends Printers, New Delhi, 2016.
  • “Explore the Interconnectedness of the Symbolism of the Tree, Lotus and Serpent in the Early Indian Art”, in Education Plus, ISSN 2277 – 2405, (UGC Notification No. 64522), Vol. IX, No. 6, (Special Issue), January, 2018, pp. 62 – 68.
  • “Summarize the Different Explanations for the Prevalence of Erotic Sculptures in Indian Temples”, Education Times, ISSN 2319 – 8265, (UGC Notification No. 62976), Vol. IX, No. 6, (Special Issue), January, 2018, pp. 190 – 197.
  • “Short Notes on Gavaksha, Vyala/​Yali, Gopuram, Mandapa, Education Times, ISSN 2319 – 8265, (UGC Notification No. 62976), Vol. IX, No. 7, (Special Issue), January, 2018, pp. 9 – 15.
  • “Earliest Xuangzang Portrait? Identifying the ​‘Chinese’ Figure in Tiru Parameswara Vinnagaram”, EDU World, ISSN 2319 – 7129, (UGC Notification No. 62981), Vol. XII, No. 13, (Special Issue), April, 2018, pp. 118 – 132.
  • “Review of the Gods in Glass”(Solo Exhibition at Visual Arts Gallery), EDU World, ISSN 2319 – 7129, (UGC Notification No. 62981), Vol. XII, No. 15, (Special Issue), April, 2018, pp. 5 – 10.
  • “Chinese Modern Art in Cultural Revolution”, Imperial Journal of Interdisciplinary Research (IJIR), ISSN 2454 – 1362, May, 2019.
  • “Female Patronage and The Gender Transformation of Avalokiteśvara”, Research Deliberation, ISSN 2395 – 7778, Volume‑V/​Issue‑I, May, 2019, pp.1‑pp.15.
  • “From India to China: Early Iconography of Avalokiteśvara”, Research Deliberation, ISSN 2395 – 7778, Vol. 5, Issue-II, Nov., 2019, pp. 9 – 33.
  • “Explore Chinese Mythological Animals in Illustrations of Hamzanama”, Research Deliberation, ISSN 2395 – 7778, Vol. 5, Issue-II, Nov., 2019, pp. 94 – 110.
  • “Female Patronage and The Gender Transformation of Avalokiteśvara”, Journal of Comparative Literature and Aesthetics, ISSN 0252 – 8169, Vol. 43, No.4, Winter 2020, pp.251 – 259.
  • “The Iconography of Bhakti Saints Karaikkal Ammaiyar”, Edu Care, ISSN 2319 – 5282, Vol. IX, No. 15, Jan-Dec, 2020, pp. 23 – 29.
  • “Ambiguity of the Gender of Avalokiteśvara — A Comparative Study of the Representations of Avalokiteśvara from India and China during Sui-Tang period”, Journal of History Art and Archaeology (JHAA, Delhi: Academic Research Foundations), 1st Vol., Mar.-Apr., 2021, pp 31 – 42.
  • “Gender Ambiguity of Avalokiteśvara in its Representations from India and China during the Sui-Tang period, Journal of Comparative Literature and Aesthetics, ISSN 0252 – 8169, Vol. 44, No.1, Spring 2021, pp.164 – 174.
    (Vishvanatha Kaviraja Institute, India)
  • “Iconography: Mutual Absorption of Deities in Buddhist and Brahmanical Pantheons in India”, Education Today, ISSN 2229 – 5755, (UGC Notification No. 62981), Vol. XI, No. 7, (Special Issue), Dec, 2021, pp. 141 – 150.
  • “The Ambiguity of the Gender of Avalokiteśvara: A Comparative Study on the Representations of Avalokiteśvara from India and China during Sui-Tang Period”, Asia Social Issues, Vol. 1, No. 2(2022): March-April, Article 251786, E‑ISSN: 2774 – 0315, pp. 1 – 15.
  • “Female Patronage and The Gender Transformation of Avalokiteśvara in China”, IKSAD Publications (World Women Conference-IV, Mata Sundri College for Women, University of Delhi), 21st, Mar, 2022, ISBN: 978−625−7464−802, pp. 6 – 16.
  • “Xu Beihong (1895−1953) in India”, 20th Century Indian Art (Modern, Post-Independence, Contemporary), (eds. Partha Mitter, Parul Dave Mukherji, Rakhee Balaram), London & New York & New Delhi: Thames & Hudson, 2022, pp. 97 – 98, ISBN 978−0−500−02332−7.
  • “From India to China: Early Iconography of Avalokiteśvara”, International Scientific Research Congress Dedicated to the 30th Anniversary of Baku Eurasia University, IKSAD Global, May, 2022, pp. 1331 – 1347. ISSN: 978−625−7464−87−1.
  • “Ambiguity of the Gender of Avalokiteśvara: A Comparative Study on the Representations of Avalokiteśvara from India and China during Sui-Tang Period”, (collected in the Book named Buddhism: Heritage and Hermitage, Niharika), Delhi: Sharada Publishing House, 2022, pp. 169 – 185. ISSN: 978−93−83221−44−8.
  • “Earliest Xuangzang Portrait? Identifying the ​‘Chinese’ Figure in Tiru Parameswara Vinnagaram”, Paṇidhāna Journal (Chiang Mai University), ISSN 1905 – 6788, Vol. 18, No. 2, July-December, 2022, pp. 289 – 319.

Lele Huang’s website about Guanarts, the studio she directs both in Jiangsu (China) and New Delhi (India).

Watch Lele Huang’s conference organized by National Museum of Cambodia on Aug. 2, 2023.