In 1967 – 1969, while the King Father was working on this feature movie, clouds were piling up on Cambodia’s horizons. Crépuscule (សន្ធិប្រកាស, Twilight) reflects the sovereign’s melancholic, and indeed crepuscular worries regarding the future of his nation as an independent, non-aligned country.
Inspired by Bernard-Philippe Groslier’s book Angkor, of which several parts are read aloud by the main character, the plot is a triangular love story set among the ancient Khmer ruins. An Indian heroin, Maharani Maya (played by Sihanouk’s wife, Princesse Monique, the future Queen Mother of Cambodia) falls in love with a Cambodian prince, Adit, played by the King himself, who corresponds to her in his feelings while keeping a love interest for the young Sopheap, played by famous Cambodian singer Dy Saveth.
Indian influences, Cambodian national identity, sentimental complexity, and the gnawing anguish at an uncertain future: this is one of the most elegiac movies in the dozens the King directed during the 1950s and 1960s.
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(screen captures)