L'art khmer primitif [Earlier Khmer Art]

by Henri Parmentier

Monumental work on pre-Angkorian art from Udon to the Mekong Delta with Sambor Prei Kuk as hypothetical center.

 
Format
e-book
Publisher
Paris, Librairie G. Vanoest/Publications de l'Ecole française d'Extrême-Orient, 2 vols [Vol 1: 408 p + 178 ill., Vol II: 94 plates]
Published
1927
Author
Henri Parmentier
Pages
764
Language
French

This transregional study focused on Sambor Prei Kuk សំបូរព្រៃគុហ៍ (also Isanapura) complex, a site briefly mentioned earlier but thoroughly explored in the 1920s only. Built in the 7th — beginning of 8th century, the site was the capital city of King Īśānavarman ឦសានវរ្ម័នទី១ [r. 616 – 637], son of Mahendravarman. 

The Group N (North) comprises as main temple Prasat Sambor ប្រាសាទសំបូរ, possibly dedicated to Gambhireshvara [Shiva]. Group C (Center) comprises some 18 temples mostly in ruined state, with the enigmatic Prasat Boram ប្រាសាទបុរាម — also called Prasat Tao (The Lions’ Temple) because of numerous sculptures of guardian singha (lion). Group S to the south includes some 22 sanctuaries, among them Prasat Yeah Puon ប្រាសាទយាយព័ន្ធ.

The author, who was also working on Cham temples at the time, encompassed many other examples of pre-Angkorian temples, including those reflecting what he called pre-Khmer art” belonging to the times when multiethnic polities were cohabitating across the territory of modern Cambodian and beyond. 

 

Prasat Boram, Sambor Prei Kuk, floorplan by Henri Parmentier (1927).

Prasat Boram, Sambor Prei Kuk, floorplan by Henri Parmentier (1927).


Table of contents

Vol. I

  • INTRODUCTION 1
  • I
    Description générale des monuments 9
  • II
    Sambor-Prei Kuk 44
  • III
    Le delta et le cours inférieur du Mékong 93
  • IV
    Le bassin du Tonlé Sap 132
  • V
    Cours supérieur du Mékong 188
  • VI
    Vestiges voisins de l'art khmèr primitif et pièces de cet, art conservées dans les musées 236
  • VII
    Décoration et sculpture 247
  • VIII
    Le linteau khmèr dans l'art khmér primitif et dans l'art classique; son origine 272
  • IX
    Données sur la civilisation contemporaine fournies par l'art khmèr primitif 297
  • X
    Données sur la civilisation contemporaine fournies par l'art khmèr primitif. Religion et culte 310
  • XI
    Rapports de l'architecture khmère primitive avec les architectures de même ordre 340
  • XII
    L'art figuré dans les réductions d'édifices 350
  • CONCLUSION: Rapports de l'art khmèr primitif et de l'art khmèr cIassique 371
  • Lexique des termes étrangers 377
  • Table générale des monuments 379
  • Index des noms cités dans l'ouvrage 399
  • Errata et Addenda 403
  • Table des illustrations 405

Vol. II

  • 94 plates, including 3 maps: 1) Cochinchina-Cambodia, 2) Cambodia, Northwestern section, 3) Laos-Cambodia, Northeastern section

Tags: pre-Angkorian, pre-Angkorean, Khmer art, sculpture, archaeology, architecture, Mekong Delta, Laos, Siam, Sambor Prei Kuk, Sambor, Hanchey, Tonle Bati, Angkor Borei, Chenla, Funan

About the Author

Henriparmentier

Henri Parmentier

Henri Parmentier (3 Jan. 1870, Paris — 22 Feb. 1949, Phnom Penh) was a French architect, art historian and archaeologist, one of the first European specialists in the archaeology of Indochina. He has documented, depicted and preserved numerous Khmer, Cham and Lao monuments.

Head of the EFEO in Cambodia during 28 years, he had married in 1905 novelist and journalist Jeanne Leuba, with whom he co-published several accounts. The couple endured the Japanese occupation of Cambodia with the rest of the small Phnom Penh French colony opposed to Petainist collaboration during World War II. He died in Phnom Penh, still actively contributing to Khmer, Cham and Laotian studies after his official retirement in 1962.

 

Henri Parmentier, circa 1930 (EFEO Archives, reprinted in W640).

Henri Parmentier, circa 1930 (EFEO Archives, reprinted in W640).